We can use the same modal shape with our legato technique as well. In this lick, we use a smooth and connected scalar approach on the first three beats, then shift gears to outline the chord by playing a Dm6 arpeggio. The lick ends on a common pentatonic bend to circle back around to the blues.
Soundfly course producer John Hull walks us through how he creates a Slice to MIDI preset in Ableton Live so you can build your own customized version.
Here’s a winning formula: the guitar starts out with the song’s main riff, completing a full cadence, before the bass ensues with a countermelody high up on the neck, building up a suspenseful intro until the drums kick in and carry the song into its full tempo. “Hotel California” operates the same way.
90s hip hop and r&b
The album is filled with so many glorious quotes and clichés (this is a high compliment). I never got tired of listening. With so many possibilities, how do you hone in on and develop your better ideas?
Instead of hyper-focusing on your total stream count, pay attention to actionable metrics, which help you make data-backed decisions that actually have an impact on your music career growth. Specifically, this can include things like how engaged your followers are, which demographics are most engaged, and which tracks are being shared and saved to playlists.
Filippo Faustini is a guitarist and producer based in London. He graduated in Modern Guitar at the Conservatoire in Frosinone (Italy) and then he completed an MA in Composition for Moving Images at City University (London). He is the guitarist and producer for the London-based alt rock/ambient band, Alice in the Cruel Sea. Filippo is also the co-founder of a recently formed music production company called Music Brewery where he works as producer and mixing engineer.
Modes and Key Signatures have a variety of different characteristics and are great for outside-the-box songwriting. Here’s a cheat sheet to remember them!
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As a performer, she was recently seen in Sondheim on Sondheim at the FreeFall Theatre in a cast that included Ann Morrison (the original Mary in “Merrily We Roll Along”), and Kissy Simmons (Nala, “The Lion King,” on Broadway). She also loves classical music by angsty Germans, moonlighting as the frontman for a yacht rock cover band, serving on the leadership council for March Chorus NYC, and more.
Amy is also a Soundfly Mentor. Learn more about our acclaimed mentorship programs in the video below, and click here to tell us what you’re working on if you’re interested in improving on something specific to your goals and needs.
To some local folks, Low Spirits is too “out-of-the-way,” which means it’s not really located near other bars. So once you’re there, you are probably there for the rest of the night — which, really, is a pretty damn good decision. This is the place to get stranded. It’s one of our favorite places to hear live music and grab a cocktail. You’ll be in great company with the bands that have jammed on the intimate stage at this venue. And when I say intimate, I mean being in the audience literally feels like being on the stage. The margaritas deserve an honorable mention, too.